It was crucial that my print work depicted the right information as it could drive potential audiences to listen to the album and watch the music video. Therefore, the colours, fonts and imagery had to be specifically directed towards my target audience of young women, between the ages of 13-21. For my print work, I identified colour schemes that the artists uses within her Youtube and music videos. Dodie Clark primarily uses pastel colours, such as pinks and blues. I also tried to incorporate pastel pinks and blues within my music video. There is evidence of pastel colours in a lot of Dodie Clark’s EP album covers as the background depicts pastel coloured houses, whilst Clark is standing in the foreground. I wanted to keep my work in the style of Dodie Clark’s so that it would show a true representation of the artist. It was important that the digipak and magazine advert that I created looked aesthetically pleasing as it would try to capture my teenage target audience. If the two did not catch people’s attention, then people could be diverted from watching the music video and buying the album. Therefore, pastel colours can be seen across my music video, digipak and magazine advert.
The viewer can see that in Dodie Clark’s previous album cover, there is a slight white border around the edge. I wanted to replicate this in my album cover as I thought it gave quite a neat look to the product. I also wanted to represent Dodie Clark’s branding. Clark’s ‘Intertwined’ album cover depicts colours which are quite muted. The viewer would expect the yellow dress to be a bright colour, however an additional filter is added over it, which appears to glaze over the bright colours. I have tried to replicate this into my own products. The digipak and magazine advert are quite cool toned. These cool tones are also illustrated towards the end of my music video.
To create quite a relaxing vibe, I used a series of light leaks in my printwork and music videos. Whilst designing my prototype, I decided to experiment with using light leaks on the album cover. I wanted to experiment with this as I heavily used light leaks within the editing of my music video. Light leaks also appear to be a convention of Dodie Clark’s style as they often appear to use light leaks her music videos. I did initially like how the light leaks looked, however I noticed it clashed with the pink tones I added to the images when I edited my final photographs in Photoshop, therefore I decided to remove it.
The themes and tones of the music are heavily depicted across the music video and print products. I tried to depict the themes by adjusting the composition and facial expression used within the photographs on the album cover and magazine. On the front of the album cover, my actress can be seen almost looking blank and expressionless. Through this, I wanted to depict that Dodie Clark’s music is quite personal and serious to her. I think that these vibes are portrayed in the music video as well as my actress looks quite serious, yet emotional as she mimes to the camera at the end of the video.
I had to ensure that the print products and the music video created synergy so that they would be instantly recognisable to the target audience. Synergy is defined as ‘the combined working together of two or more parts of a system so that the combined effect is greater than the sum of the efforts of the parts’ Therefore, I tried to create my products in the same style to achieve synergy and cross media marketing. I used the same costume and actress across my products. I knew that it was important to replicate the mise en scene used within the video onto the print products so that viewers would be able to link the music video to the artist. So, I featured the same costume that my actress wears in the music video in my print product imagery.
It was important that I featured the artist across all of my products in order to give them star representation, which is a convention used in music videos identified by Andrew Goodwin. This convention is used to increase sales of a product, so it would hopefully increase the views on the music video or the amount of plays of music.
Also, to create synergy I used similar fonts throughout my products. I opted for a handwritten type of fonts as I felt like it would give the products a more personal aspect. The handwritten fonts are used across my print products, so that audiences can identify that it’s the same artist. It is also visible at the start of my music video. It was paramount that the fonts used on my print products were bold and stood out to capture attention. Therefore, the fonts used are not identical as I created the products on different platforms, but I tried to choose fonts that were similar and had quite a handwritten look to them. I managed to use the exact same font for the digipak and album cover, however I had to adjust to more of a ‘curvy’ font for my music video to allow me to use the animation on the text. In evaluation, I could have tried to used the exact same font to achieve more synergy throughout products. Dodie Clark herself used quite a handwritten font on her EP album cover, so I thought it would be quite nice to replicate this. The font in my music video title closely represents the font that Dodie Clark used on her album. The handwritten fonts used could stereotypically be regarded as ‘girly’, which would match my target audience. However, I think that it shows the artist’s personality and reflects the style of the music.
In Dodie Clark’s previous album, the text was pasted across the middle of the album cover. I think that this feature adds quite a unique look to the album as typically the artist and album name are at the top or bottom of the album. This is something that I wanted to replicate in my own products. On my album cover, the text is running through the middle of the imagery. This is the same case with the title in the music video as I composed it so that the text would be in the centre of the frame and would be the centre of attention. Another way that I used the text within the album cover was by placing a small snippet of the lyrics of the music underneath the album name. I wanted to do this to add a unique look to the album cover. I also thought that it was a good idea to encourage the viewer to watch the music video. The viewer might further be encouraged to watch the music video, due to the magazine advert including ‘Party Tattoos’ as a hit single. This means that the song has received good press and many people have listened to it.
Another way I created synergy was by using the same imagery within the print work. On the front of the album cover, my actress is featured against a blank white wall. I chose to feature this particular image at the front of the album as this is the location where a lot of the miming within the music video takes place. The images used on the back of the album cover and magazine advert contains sunsets. In one of the scenes in the video, the viewer can see that the sun is setting as the frame is quite pink/purple toned. The consistency of imagery is used on the spine of the album cover as well, due to the sunset imagery being featured on it.
In addition to this, the character in my narrative can also be seen walking across a field at one point in the music video. This scene is reflected through the use of imagery on the back of the album cover and on the magazine advert. I decided that using this imagery was an appropriate choice as it links all three products together and will hopefully encourage the viewer to watch the music video. In addition to this, the representation of the woodland scenery can also be seen on a polaroid within the digipak. Woodland scenery is a code and convention of a typical Indie Pop music video, which is the genre that Dodie Clark’s music belongs to. It was important that I included this within my products as it depicts the type of music and will hopefully capture my target audience’s attention.
I decided to included polaroids of imagery that one might find or expect to be in the music video. The images contain a lot of outdoor features and a proportion of the scenes filmed in the music video are filmed outside. The polaroid feature was inspired by Taylor Swift’s album as she has also included polaroids that link to the music in her album. I feel like this gives the album a more personal experience. The polaroids also display lyrics of the music, linking to the actual song which is used in the main product. These polaroids would be placed inside of the album cover, possibly in a separate sleeve. The colour scheme within the polaroids were important. I decided to have a ‘day’ and ‘night theme’. The day theme reflected how the character within my music video went on her journey to the party. The night theme foreshadows what is yet to come at the party. I could have included some night shots within my main product. The themes within the polaroids are binary oppositions and could reflect the ‘good’ and ‘bad’ themes in the music videos.
To ensure that my print work looked realistic, I had to research existing album covers and the details that they displayed. On the back of my album cover, Party Tattoos is the second track. I decided to also actually call the album Party Tattoos as I think it has interesting connotations to it. Teenagers are also stereotypically more likely to go to more parties than adults, so it is direct to my target audience. It is important that the text ‘Party Tattoos’ is pasted over the album cover as it links to the music video.
The label company, Dodie Records, is also placed onto the album cover. This is significant so the audience know that it is the artist’s original music. The record label logo is placed on the back panel and the spine of the album cover. I also placed it on the magazine advert. In conclusion, I could have also included the record label logo onto my music video to create further synergy amongst my products. However, Dodie Clark’s name is visible in the opening titles of the music video, so I didn’t think I really needed it.
My magazine advert in A4 in size as this is the size of most magazines. I opted for it to be landscape to give a quirky look to it, mirroring the style of the music video. I decided to resize and use an image of the album cover on the magazine advert to link the two ancillary products together. I decided to do this as it follows the typical codes and conventions of a music video advert. I decided to include the Spotify and iTunes logo on my magazine advert to illustrate where viewers would be able to stream the artist’s songs. I did not chose to add these logos onto the digipak as it is the viewer’s personal preference to how they listen to the music. This links the music video and ancillary texts together as the viewer might consider watching the music video after listening to the song, or they might consider listening to the artist’s other music after they have watched the music video.
I decided to use positive reviews on my magazine advert as this might encourage the viewer to watch the music video. I chose not to include the price on the digipak or the magazine advert as the price is ultimately up to the retailer therefore can vary. I made sure to include a clear date on the magazine advert, depicting when the viewer can expect the album, as well as the music video to be released. This is a feature that can potentially create ‘noise’ within a target audience as it depicts a build up for the release of the artist’s new music.
In conclusion, I believe that I successfully used mise en scene features, such as costumes, settings and colours to create synergy and cross media branding throughout all three of my products. I ensured that I stuck to the same colour palette, which mainly consisted on pastel pinks and blues. In addition to this, I used the same imagery across my products, which was a woodland scenery. I opted to do this as this is a general convention of Indie Pop music. Through editing, I created synergy through each product with the type of font that I used, which was in a hand written style. I used this to give each product a more personal aspect.